Neoverb

Plugin Details

Type: PAID

Added about 1 year ago

Official Website

About Neoverb

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Spring Reverb

<img src="https://www.pluginboutique.com/system/vip_testimonials/pictures/000/000/767/original/Dave_Isaac_120x120_pliuginboutique.jpg?1474629190"><blockquote>"The Spring Reverb makes me high every time I hear it - and I don't smoke!"</blockquote>Dave Isaac. Recording and mix engineer for Marcus Miller, Dionne Warwick, Stevie Wonder, Aretha Franklin, R Kelly and Luther Vandross. Three-time Grammy winner. <img src="https://www.pluginboutique.com/system/vip_testimonials/pictures/000/000/785/original/Mixerman_Eric-Sarafin120x120_pluginboutique.jpg?1474632979"><blockquote>"I love the Spring Reverb, which is perfectly trashy, just like the real thing. Frankly, I think it's the most realistic spring reverb out there."</blockquote>Mixerman / Eric Sarafin. Los Angeles based producer, mixer, and author who's worked with the likes of Pharcyde, Terence Trent D’Arby, The Brand New Heavies and many more. <img src="https://www.pluginboutique.com/system/vip_testimonials/pictures/000/000/772/original/Gitarre_Bass_120x120_pluginboutique.jpg?1474629403"><blockquote>"This Spring Reverb beats all others heard before."</blockquote>Gitarre & Bass. The best-selling musician magazine in German-speaking! Made with pride since 1986! Spring Reverb is an authentic spring reverb recreation that will add vintage character and grit to any audio track. It also includes novel features such as a fully automatable Shake control that will shake the virtual springs around for those thunderous spring effects. Get some recognizable character in your mix with the Spring Reverb!When your mix lacks that certain something, Softube's Spring Reverb may very well be it. A spring reverb is built into a lot of classic guitar amplifiers and is consequently often used for guitars. But you wouldn't do it justice to think a reverb of this type was limited to guitars only. It can add a lot of personality and character to a vocal track, a snare drum, percussion, an electric organ or just about anything. It's very much a sound of its own and it will help set your mix apart from the rest.<img src="https://www.pluginboutique.com/ckeditor_assets/pictures/6056/content_userinterface_pluginboutique.jpg">Plus, there's not only one spring reverb sound. We included a few settings so you can choose which spring reverb character you're after. The number of springs and their tension highly affects the sound and feel, so it's up to you to determine what your track needs. There are also tube-driven Bass and Treble controls to further affect the sound. And if you want that explosive boom you'll get from shaking a true spring reverb (making the springs bounce and slam into each other), we modeled that too.<h4>Features:</h4><ul><li>Personality and character for your mix</li><li>Tension control to shape the spring character and reverb length</li><li>Number of spring pairs continuously adjustable from 1 to 3</li><li>Tube driver simulation with Bass and Treble in the reverb section</li><li>Shake control that shakes the springs around</li><li>Can be used both as a send and an insert effect</li><li>Very CPU friendly</li></ul>Springs:<ul><li>Control the number of springs in use. There are three sets of springs in the reverb unit and you can choose how many of the sets you would like to use. Set the control to ONE for a more pronounced springy sound and to THREE for a smoother sound.</li></ul>Shake:<ul><li>Since we don't want you to smack your computer to get that thunderous springs-being-shaken sound, Spring Reverb features a slider that can be used to accomplish the same thing safely.</li></ul>Tension:<ul><li>Tunes up or down the tension of all three springs. Adjusting the Tension parameter will change the sound of the strings from slow and smooth (left) to quick and harsh (right). Together with the Springs knob, this control is an excellent tool to change the overall character of the reverb.</li></ul>Bass, Treble & the Input Stage:<ul><li>Authentic tube simulation using the same technology as the Amp Room products on the wet signal. </li></ul><h4>System Requirements</h4><ul><li>macOS Big Sur 11, Monterey 12, Ventura 13</li><li>Windows 10 (64-bit), Windows 11</li><li>Softube account</li><li>iLok account</li><li>Computer with AU, VST, VST3, and/or AAX-compatible DAW host software</li><li>Internet access (for downloading installers and managing licenses)</li></ul>Supported CPU Families <ul><li>Apple macOS computers with Intel Core i3/i5/i7 or Apple silicon (M1 or newer) CPU. Apple silicon is supported natively. </li><li>Windows computers with quad-core Intel Core i3/i5/i7 or AMD quad-core processors with SSE 4.2 support.</li><li>Other Intel processors (Celeron, Pentium, and Xeon) are compatible if they support SSE 4.2 instructions. </li></ul>Supported Host Software (DAW) Any 64-bit VST, VST3, AU, or AAX (Pro Tools 11.0.2 or higher) compatible host application should work. However, due to plug-in host differences between DAWs—and our rigorous standards—Softube only officially test their plug-ins and instruments in the most recent versions of Pro Tools, Logic Pro, Cubase, Ableton Live, Studio One, and Reaper. Softube plug-ins are not tested regularly in non-listed systems. They will likely work if the system requirements are met. However, the manufacturer cannot guarantee a solution for issues in unsupported systems.   Softube strongly recommend using VST3, as some of their plug-ins have features that are not present in the older VST format. Supported sample rates: 44.1, 48, 88.2, 96, 176.4, and 192 kHz, in both mono and stereo. The most recent maintenance release of your DAW application is recommended. AAX DSP is not currently in active development. TDM/VENUE/RTAS are no longer supported. See Legacy Installers.Important Note: Make sure that you always use the latest iLok License Manager. It is not included in the Softube installer but can be downloaded from <a href="http://www.ilok.com/" rel="noopener noreferrer" target="_blank" style="color: var(--darkreader-text--color-navigation); --darkreader-inline-color: var(--darkreader-text--darkreader-text--color-navigation);" data-darkreader-inline-color="">www.ilok.com</a><img src="https://www.pluginboutique.com/ckeditor_assets/pictures/12102/content_icon_module_ready_small_80h.jpg">

Ambience

Ambience is a reverb that rivals the quality of the best commercial reverbs. It also includes some unusual functions, like a gater and a very useful hold function.Due to the superior quality of the plugin and its array of useful presets and functions, the Ambience plugin has become somewhat of a free VST "Classic".<h4>Features</h4><ul><li>Presets: An array of quality presets are included!</li><li>Dry: Gain of direct (unprocessed) sound. To use Ambience as a send effect, set this to -inf.</li><li>Wet: Gain of processed sound.</li><li>Time: The time it takes for the reverb echoes to die out.</li><li>Size: The size of the room. Note that long reverb time and small room size don't mix well. For natural sounds, a small room size should be accompanied by a short reverb time, and vice verse.</li><li>Pre-Delay: Amount of delay between the direct sound and the onset of the first echoes.</li><li>Width: All the way from mono (0%) to wide stereo (100%). Probably you will want this one at 100% all the time.</li><li>Quality: This knob allows you to trade off reverb quality for CPU usage. High quality <=> high cpu usage. You can make fun effects if you set it very low (try it!).</li><li>Variation: This button creates a new variant of the same room. If there's some annoying echo/ringing in the reverb that bugs you, hit this button a few times until you find a variation that you like. If it still sounds bad to you, try raising the Quality too.</li></ul>More Advanced Controls:The best way to learn these is probably by trying them out and experimenting yourself, but here are some hints:<ul><li>The Damping Section - This affects how the reverb's character develops over time as it decays. Use it to control the decay time of bass and treble. In normal rooms, bass and especially treble decay quicker than the mid range.</li><li>The EQ Section - This is like putting a big equalizer on the reverb. And in fact it is :) It's mostly useful for cutting away bass that can otherwise make the reverb sound muddy.</li><li>The Gating Section - If you want natural reverb, abandon this section at once! Otherwise if you are in an experimental mood, you may use this one to make the reverb follow the dynamics of the audio input. Can be useful if you want to preserve rhythm while still having a very wet reverb.</li><li>Hold - When you press this, the reverb will freeze at it's current sound, holding it indefinitely until you press it again. Great if you want to create a lush pad from a plucked string or a hihat or whatever you can imagine. Try combining with the gater.</li><li>Diffusion - This knob has a very subtle effect on the sound. It is especially noticable with small room sizes.</li></ul><h4>System Requirements</h4><ul><li>Windows XP or higher (VST, 32-bit support)</li><li>Mac OS X (AU, 64-bit and 32-bit support)</li></ul>

Verberate Basic 2

<h4 class="ql-align-center"><img src="https://www.pluginboutique.com/ckeditor_assets/pictures/17601/content_verberate-basic-logo-pluginboutique.png"></h4><h4 class="ql-align-center">The Revolutionary Vivid Hall Algorithm for Free</h4>The free Verbarate Basic is based on Verberate 2 and offers the same highly praised audio quality. The plug-in offers four high quality presets from Verberate 2 that showcase the quality and versatility of the algorithm:<ul><li>Plate, a realistic simulation of plate reverb with the typical frequency dispersion and decay properties that give plate reverb the airy touch</li><li>Room, a beautiful and warm wooden room that gives a great sense of room without being obtrusive</li><li>Hall, a natural and gorgeous-sounding hall</li><li>Lush Hall, a colourful out-of-world hall with frequency-modulated tails that sounds amazing on synth pads</li></ul>The intuitive user interface has buttons for each of the four reverb programs along with a mix knob that lets you adjust the dry and reverb signal levels.<h4>Features</h4><ul><li>Based on the Vivid Hall that is time-variant and resonance-free</li><li>Independent early reflections and reverberation tail processors</li><li>True stereo processing</li><li>Realistic early reflections that blend into the mix without unpleasant comb filter effects</li><li>Dense late reverberation tails</li><li>Able to model frequency dispersion in mechanical plate reverbs</li><li>Optional swirl effect models the frequency modulated cloud-like reverb tails of vintage digital reverb units</li><li>Uncluttered user interface</li></ul><h4>System Requirements</h4>Windows<ul><li>Windows 10 / 8 / 7</li><li>Intel Core i3 or AMD multi-core processor (Intel Core i5 or faster recommended)</li><li>1366 x 768 display resolution (1920 x 1080 or higher recommended)</li><li>1 GB RAM (4 GB or more recommended)</li><li>1 GB free HD space</li><li>A host application that is compatible with (32 or 64-bit) VST, VST3 or AAX (Pro Tools 10.3.5 or higher)</li></ul>macOS<ul><li>macOS / OS X 10.9 or later (macOS 11 Big Sur Intel and M1 Mac supported) (64-bit only)</li><li>1 GB RAM (4 GB or more recommended)</li><li>1 GB free HD space</li><li>A host application that is compatible with AU, VST, VST3 or AAX (Pro Tools 10.3.5 or higher)</li></ul>