2BC multiCORR

Plugin Details

Type: PAID

Added over 1 year ago

Official Website

About 2BC multiCORR

Similar Plugins

MasterMagic

<img src="https://www.pluginboutique.com/system/vip_testimonials/pictures/000/002/773/original/Dave_Carbone.jpg?1539877470"><blockquote>"A great little plug to add clarity and brilliance to your mix and control your bass frequencies. Being able to select an air band and split frequency bands to mono a certain range with such ease makes this a unique and versatile plug for mastering and individual track processing."</blockquote>Davide Carbone. Music producer, composer, sound designer and software developer. <img src="https://www.pluginboutique.com/system/vip_testimonials/pictures/000/002/772/original/JonnyB.jpg?1539877365"><blockquote>“I will definitely be using MasterMagic - it adds a nice little silky sparkle at the end of the mix and widens the tops out a bit. Even when you’ve already got a mix sounding good, I think you can still improve it by adding MasterMagic at the end of the plugin chain”</blockquote>John B. Beta Recordings, Metalheadz. <img src="https://www.pluginboutique.com/system/vip_testimonials/pictures/000/002/771/original/Steve_Mac.jpg?1539877205"><blockquote>“I really like this. Instantly tightens up the bottom end and the air is lovely, just adding around 2db does the trick. Personally I can see myself using this a lot.”</blockquote>Steve Mac. Musician, songwriter, and record producer. <img src="https://www.pluginboutique.com/ckeditor_assets/pictures/13352/content_mastermagic-titel-pluginboutique.jpg">Welcome to ‘MasterMagic’ the plug-in that you will not want to miss anymore as part of your virtual mixer master section! Just place ‘MasterMagic’ at the very end of the master FX chain and be surprised how much it can do for your track! The ‘Mono/Stereo’ section, will make your low end much tighter and the ‘AIR’ function is sheer magic… even if you only use it only a tiny amount.Enjoy the magic of MasterMagic! <h4>Features</h4> Edit / Origin Feature<ul><li>As soon as you start editing a Preset (i.e. change a MasterMagic control), the Edit button will light up. If you the click on the Origin button it will return the Preset to its original settings. </li></ul>Help<ul><li>Clicking on the ? HELP ICON opens PDF manual.</li></ul>ECS<ul><li>Click here to open the ECS menu. You can Load/Save your MIDI latched settings (External Control Settings) here.</li><li>This is handy if you want to use your own controller settings in other songs, music programs or systems.</li></ul>Presets and Generic Controls<ul><li>The Presets bar sits at the top of the MasterMagic window.</li></ul>Preset Variations<ul><li>A Preset in MasterMagic has two slots, A and B, in which to store two variations of the Preset. </li><li>This bypasses the MasterMagic FX. If ‘Air’ and ‘Mono/Stereo’ are active, both are bypassed.</li></ul>AirAir works as a booster of very high frequencies with a wide bandwidth using a top-notch algorithm. Its effect is perceived as giving the audio a more breathing space or ‘Air’.<ul><li>On / Off: By clicking on the AIR icon, the Air function will become active. This is a handy feature if you also have the ‘Mono/Stereo’ function active. This way you can bypass only the ‘Air’ FX.</li><li>Amount: Amount sets the gain or amount of Air added to your channel.</li><li>Frequency: The frequency control sets the center frequency of the Air band. Its range runs from 30kHz to 40 kHz.</li></ul>Mono / StereoThe Mono / Stereo Split Filter is able to divide the audio signal into a mono and stereo partbased on a frequency. <ul><li>On / Off: By clicking on the MONO/STEREO Icon this function will become active.</li><li>Frequency and Range: The Frequency control (FREQ) sets the frequency of the mono filter: below this frequency the sound is transformed into a mono signal. </li><li>Solo: The Solo switch, when engaged, only lets the transformed mono signal pass.This feature is handy to seek out the correct range.</li><li>Mode: The Mode setting determines how the stereo audio signal is turned into a mono signal. The options here are: Left Channel, Right Channel, the sum of the Left and Right Channels averaged (L+R), and the signal difference between the two channels (L-R).</li></ul>Back Panel  A click on the MasterMagic logo switches the plug-in to its back panel. The back panel containsprogram information and a number of global settings. Controls are:<ul><li>Computer Keyboard On / Off: The Keyboard On/Off switch activates the computer keyboard to cycle through the Presets and Banks.</li><li>MIDI Program Change: The Program Change switch enables MasterMagic to respond to MIDI Program Change commands to select Presets.</li><li>External MIDI Control Capture Mode: The Capture Mode switch, when enabled will ignore incoming MIDI controller messages that are latched to a MasterMagic control, until the value of the MIDI controller matches that of the value of the MasterMagic control. It prevents sudden jumps in parameter values that otherwise may occur as soon as you touch a latched external MIDI controller.</li><li>MIDI Channel: The MIDI Channel setting limits any MIDI control of MasterMagic to a specific MIDI Channel (1 – 16 / Omni)</li></ul> <h4>System Requirements</h4>PC<ul><li>Windows 7/ Windows 8/ Windows 10 (32 & 64 bits)</li></ul>Formats:<ul><li>VST</li><li>AAX (Note: PC AAX for PT 12 or higher)</li></ul>Mac<ul><li>OS-X 10.9 - 10.15 (64 bits only)</li></ul>Formats:<ul><li>AU</li><li>VST</li><li>AAX</li></ul>Notes:<ul><li>Serial/licence system with activation whilst registering the product</li><li>2nd serial for a secondary computer/laptop is available after you have registered the product’s original serial/license.</li></ul>

Elevate Mastering Bundle

<img src="https://www.pluginboutique.com/system/vip_testimonials/pictures/000/002/563/original/JohnMcCaig_PluginBoutique.jpg?1531220682"><blockquote>"This is my new go-to mastering plugin, I often use nothing but Elevate for an entire album!"</blockquote>John McCaig. Bitcrush, Seapony, Sufjan Stevens <img src="https://www.pluginboutique.com/system/vip_testimonials/pictures/000/002/561/original/BrianTrifon_PluginBoutique.jpg?1531220632"><blockquote>"I'm really impressed with Elevate, it's kind of an unbeatable limiter with regard to being able to making things super loud, punchy and not distorted."</blockquote>Brian Trifon. Halo Wars 2, Halo: The Master Chief Collection, Massive Chalice <img src="https://www.pluginboutique.com/system/vip_testimonials/pictures/000/002/556/original/Lange-eventide-pluginboutique.jpg?1531220164"><blockquote>"It's the best limiter I've ever used."</blockquote>Matt Lange. deadmau5, BT <img src="https://www.pluginboutique.com/ckeditor_assets/pictures/10244/content_newfangled-logo-long-pluginboutique.jpg"><img src="https://www.pluginboutique.com/ckeditor_assets/pictures/10245/content_elevatelogo-pluginboutique.jpg"> <h4 class="ql-align-center">Mastering Bundle</h4> Mastering with a BrainElevate is the most advanced mastering plug-in ever created. This unique multi-band limiter, human-ear EQ and powerful audio maximizer will increase the loudness of your mix while maintaining or improving its dynamic perception. It uses intelligent, adaptive technology that responds in real time to your music; creating not only the loudest, but the best sounding master.Developed by Newfangled Audio, Elevate maintains subtle dynamics and improves the tonal balance of your mix. The adaptive limiter analyzes 26 frequency bands and alters the gain, speed and transients for each band in real time. The result is a transparent, natural sound, no matter how hard you push it.Elevate utilizes 26 critical filter bands modeled from the human ear. Each of the bands are spaced to give maximum control over how the sound hits your eardrum. Draw curves, solo bands and manipulate the transient attack for each individual band to bring out particular instruments such as kick or snare drums. Adaptive TechnologyElevate uses artificial intelligence algorithms to make it easy for you to get the best sounds, but you can still get under the hood for as much precise control as you desire. This includes giving you control over the tonal balance and transients inside the final limiting stage. The adaptive algorithms reduce audible artefacts and the additional controls give you maximum flexibility with professional results.<img src="https://www.pluginboutique.com/ckeditor_assets/pictures/12694/content_elevate-pluginboutique.jpg"> <h4>Features</h4><ul><li>Analyzes and alters the gain, speed and transients of each filter band in real time.</li><li>Includes presets by: APS Mastering, Matt Lange, Jeremy Lubsey, Eric Beam, ROCAsound, Chris Tabron and John McCaig.</li><li>Automatically adapts the attack, release and look-ahead parameters for each filter band to greatly reduce "pumping" and breathing artifacts and perceived distortion.</li><li>Preserves or emphasizes fast transients to avoid squashing your mix.</li><li>Manipulates transients across the critical bands to preserve the attacks from kick drums, snares and cymbals, without affecting the entire mix.</li><li>Uses linear phase auditory filters — based on the Mel Scale — to manipulate the audio in a way that is natural to your inner ear.</li><li>Solo the output of one band (or a number of bands) to hone in on problem frequencies, tweak transients or alter gain.</li><li>Use the Auto Output Level feature to compare the limited signal to non-limited signals with the same amount of gain allowing you to easily hear what impact the processing is having on your sound.</li><li>Use the Spectral Clipper to overdrive the final output without affecting the tonal balance or allowing the signal to get “tubby.” Perfect for a more aggressive sound.</li><li>Six different types of metering allow you to keep an eye on every aspect of your output audio.</li></ul> <h4 class="ql-align-center">EQuivocate</h4><img src="https://www.pluginboutique.com/ckeditor_assets/pictures/12695/content_equivocate-pluginboutique.jpg"> Powerful & Precise Human Ear EQGraphic EQ that uses filters which are modeled on the human ear. Perfect for mixing and mastering, EQuivocate's auditory filters and match EQ functionality make it incredibly powerful, simple to use, and natural sounding. Each of the 26 critical bands tickles a different part of your inner ear, making any combination of settings sound as natural as possible. Combining this with a linear-phase filter shape that reduces pre-echo makes EQuivocate an EQ with a difference you can hear. Includes a parametric EQ, compressor, gate, soft saturation, transformer emulation, micro pitch shift, and stereo delays. <h4 class="ql-align-center"><a href="https://www.pluginboutique.com/products/5573" rel="noopener noreferrer" target="_blank" style="color: var(--darkreader-text--color-navigation); --darkreader-inline-color: var(--darkreader-text--darkreader-text--color-navigation);" data-darkreader-inline-color="">Saturate</a></h4><a href="https://www.pluginboutique.com/products/5573" rel="noopener noreferrer" target="_blank" style="color: var(--darkreader-text--color-navigation); --darkreader-inline-color: var(--darkreader-text--darkreader-text--color-navigation);" data-darkreader-inline-color=""><img src="https://www.pluginboutique.com/ckeditor_assets/pictures/12696/content_saturate-pluginboutique.jpg"></a>Saturate is the Spectral Clipper algorithm made popular in the Elevate Mastering Limiter. Saturate's two controls belie a sophisticated signal processing engine which allows it to overdrive a signal without effecting the tonal balance no matter how hard you push it. Add up to 12 dB of clipping with a variable shape parameter which moves from a pleasant soft curve to full hard clipping. Additionally, the SHAPE control allows you to smoothly morph between hard clipping and the mathematically smoothest curve possible. Use Saturate to overdrive individual tracks or your entire mix.Learn more about <a href="https://www.pluginboutique.com/products/5573" rel="noopener noreferrer" target="_blank" style="color: var(--darkreader-text--color-navigation); --darkreader-inline-color: var(--darkreader-text--darkreader-text--color-navigation);" data-darkreader-inline-color="">Saturate</a>. <h4 class="ql-align-center"><a href="https://www.pluginboutique.com/products/5574" rel="noopener noreferrer" target="_blank" style="color: var(--darkreader-text--color-navigation); --darkreader-inline-color: var(--darkreader-text--darkreader-text--color-navigation);" data-darkreader-inline-color="">Punctuate</a></h4><a href="https://www.pluginboutique.com/products/5574" rel="noopener noreferrer" target="_blank" style="color: var(--darkreader-text--color-navigation); --darkreader-inline-color: var(--darkreader-text--darkreader-text--color-navigation);" data-darkreader-inline-color=""><img src="https://www.pluginboutique.com/ckeditor_assets/pictures/12697/content_punctuate-pluginboutique.jpg"></a>Based on the Transient Emphasis section of the award-winning Elevate Mastering Limiter, Punctuate is a multi-band transient modulator based on the critical bands in the human ear. Punctuate's intelligent algorithms allow you to control the transient emphasis or suppression of all 26 critical bands with just 4 controls. This makes for an incredibly powerful, but very easy to use transient modulator.Learn more about <a href="https://www.pluginboutique.com/products/5574" rel="noopener noreferrer" target="_blank" style="color: var(--darkreader-text--color-navigation); --darkreader-inline-color: var(--darkreader-text--darkreader-text--color-navigation);" data-darkreader-inline-color="">Punctuate</a>. <h4>System Requirements</h4> Windows<ul><li>Windows 8 and later (Windows 11 supported) (64-bit only)</li><li>AAX, VST2, VST3</li></ul>Mac<ul><li>macOS 10.9 and later (Intel / M1 Apple Silicon supported) (64-bit only)</li><li>AAX, AU, VST2, VST3</li></ul>Important Notes:<ul><li>Newfangled Audio tests their desktop plugins in Ableton Live, Cubase, FL Studio, Logic Pro, Pro Tools, and Studio One (However, their plugins should work with any compatible host.)</li><li>No iLok dongle is required to run this software - only a FREE <a href="http://ilok.com/" rel="noopener noreferrer" target="_blank" style="color: var(--darkreader-text--color-navigation); --darkreader-inline-color: var(--darkreader-text--darkreader-text--color-navigation);" data-darkreader-inline-color="">iLok account/Manager</a> is required for authorisation.</li></ul>

BASSROOM

<img src="https://www.pluginboutique.com/system/vip_testimonials/pictures/000/003/270/original/OSCARFLORES_PluginBoutique.jpg?1559650983"><blockquote>"BASSROOM is really, really brilliant!! Bass is key in trailer music and getting it dialled in perfectly is crucial."</blockquote>Oscar Flores. Trailer music composer for Avengers: Infinity War, Godzilla, Mary Poppins Returns, Blade Runner 2049, Dunkirk & more. <img src="https://www.pluginboutique.com/system/vip_testimonials/pictures/000/003/271/original/Driftmoon_PluginBoutique.jpeg?1559651051"><blockquote>"An absolute must for every producer in any genre and a true game-changer for bass-loving enthusiasts."</blockquote>Driftmoon. Superstar DJ. <img src="https://www.pluginboutique.com/system/vip_testimonials/pictures/000/003/267/original/DirtySouth_PluginBoutique.jpg?1559650546"><blockquote>"This is the plugin that I’ve been missing on my master bus! It really helps me nail the bass in my mix and have it sounding big and tight. A MUST HAVE!!!"</blockquote>Dirty South . Superstar DJ. Balancing the low-end is one of the hardest challenges in any mix or master. BASSROOM is a final mix and mastering EQ that helps beginners and pros nail their low-end in seconds. The Struggle Is OverBalancing the low-end is one of the hardest challenges in any mix or master. This is where so many potentially awesome tracks fail. Too much bass and your track will sound bloated and lack clarity. Not enough bass and your track will sound weak.BASSROOM is a final mix and mastering EQ that helps beginners and pros nail their low-end in seconds. It does this by delivering exceptional sound quality and suggesting genre-specific EQ adjustments a great audio engineer in a world-class studio would make.We analyzed the best mixes in various genres to give you EQ target presets you can trust. You can also create your own targets with BASSROOM's inbuilt analysis tools. From this starting point, you can tweak your low-end to perfection using the immersive 3D room interface. <h4>How To Use BASSROOM</h4>Master ChannelBASSROOM uses complex algorithms that accurately identifies how the human ear perceives low-frequencies relative to the balance of the whole mix. For that reason it should be loaded on your master channel so it can analyse and be applied to your whole mix.<img src="https://www.pluginboutique.com/ckeditor_assets/pictures/15196/content_bassroom_masterchannel_pluginboutique.png">Choose A PresetTo get the most value from BASSROOM, start by selecting a preset that best suits the material you’re working on.<img src="https://www.pluginboutique.com/ckeditor_assets/pictures/15197/content_bassroom_presets_pluginboutique.png">Create A TargetAlternatively, you can create your own target values by clicking the target icon in the bottom left corner and importing reference tracks. If you’re creating targets, we recommend clicking and dragging on the waveform to select the drop or chorus for the analysis, as this is usually the material with the best representation of the bass in the track. BASSROOM will create targets based on all the tracks loaded into the analysis window.<img src="https://www.pluginboutique.com/ckeditor_assets/pictures/15198/content_bassroom_targets_pluginboutique.png">Shape your low-endNow monitor a bass heavy section of your production (i.e. the drop or chorus), and you’ll see the targets move to the suggested EQ positions based on the tonal balance of your mix compared to the tonal balance of your preset. Use the targets to get a great starting point, then adjust by ear to tweak your low-end to perfection. The algorithm accounts for differences in loudness, so the targets will be accurate and relevant whether you’re mixing or mastering.<img src="https://www.pluginboutique.com/ckeditor_assets/pictures/15199/content_bassroom_lowend_pluginboutique.png">Level MatchThe EQ adjustments may have changed the overall gain of your audio. If the gain has changed by more than 2dB the speaker icon will turn orange. Hover your mouse over the bypass icon to open the output gain and level match pointer. Match the gain slider to the level match pointer to match the perceived loudness of your audio before it passed through BASSROOM.<img src="https://www.pluginboutique.com/ckeditor_assets/pictures/15200/content_bassroom_levelmatch_pluginboutique.png">Hear The DifferenceNot only will your low-end fall into place, but the level matching will give you a well balanced sound across the whole frequency spectrum. Toggle bypass on and off to hear the difference.<img src="https://www.pluginboutique.com/ckeditor_assets/pictures/15201/content_bassroom_hear_pluginboutique.png"><h4>Unique Features</h4>Unparalleled EQ QualityBASSROOM gives you unparalleled EQ quality when working with low-frequencies on your master channel. Other EQs can introduce transient ringing and smearing or phase distortion that reduces the quality and clarity of your audio.BASSROOM has specifically designed filters that have minimal phase distortion AND minimal transient distortion providing greater transparency than standard linear-phase filters at low-frequencies. This means that the low-end is not affected by unwanted phase changes that can alter the timbre of your audio or by transient distortion that means you lose the bite from kicks or bass-lines.For example, the plots show the transient effects on a step function when applying a 6dB gain at 240Hz. Think of this as a simplified waveform of a kick drum. It's clear that the output of the filter in Plot 2 has an oscillation before and after the "hit". This is a "ringing" of the transient and can sound like a sucking effect. In Plot 3 BASSROOM’s EQ produces virtually no oscillation and so the transient is preserved.With BASSROOM, you can transparently shape your low-end without compromising the clarity of your mix or master. This translates into retaining punch in the low-mids, and definition in the low-end compared to other EQs.<img src="https://www.pluginboutique.com/ckeditor_assets/pictures/15202/content_steps_transparent_1024x1024.png">Immersive 3D Room DisplayOrdinary EQs use a horizontal representation of frequencies and vertical representation of gain. BASSROOM takes a unique approach and focuses more on how we experience audio in the real world. Louder sounds feel closer while quieter sounds feel further away and lower frequencies are associated with a ‘foundation’ whilst higher frequencies are perceived as ‘air.To reflect this, in BASSROOM frequencies are displayed vertically, and gain is represented by depth in the room.When a band is on the central 0dB line in the middle of the room, there is no gain adjustment. Push frequency bands back in the room to decrease gain, and bring them forward to increase gain.The unique and intuitive UI helps you visualise how you’re adjusting the low-end of your song. This gives you a more immersive mixing experience, helping you connect more with your music.<img src="https://www.pluginboutique.com/ckeditor_assets/pictures/15204/content_3d_space_explained_b25aefd9-1c35-48e2-8cb7-f7ac9cb950ba_1024x1024.png">EQ Targets You Can TrustThe targets on the walls of BASSROOM suggest the genre-specific EQ adjustments a great audio engineer in a world-class studio would make.We analysed the best mixes in various genres to give you EQ target presets you can trust.This isn’t simple ‘slowed-down’ frequency matching. The targets are a result of a complex algorithm that accurately identifies how the human ear perceives low-frequencies relative to the balance of the whole mix. BASSROOM analyses your mix and displays a target in each frequency band to help you make informed mixing decisions sonically relevant to your audio.Matching the bands to target suggestions results in a clear and defined low-end that’s well balanced in the context of the whole mix. Use the targets to get a great starting point, then adjust by ear to tweak your low-end to perfection.<img src="https://www.pluginboutique.com/ckeditor_assets/pictures/15203/content_unique_features_targets_1024x1024.png"><h4>System Requirements</h4>Mac:<ul><li>macOS 10.10 or higher (Apple M1 Silicon supported).</li><li>AU, VST 2/3 or AAX host (64-bit only)</li></ul>Windows:<ul><li>Windows 7, 8, 10, or 11</li><li>VST 2/3 or AAX host (64-bit only)</li></ul>Available in VST, VST3, Audio Units and AAX formats (64-bit only).Please note: AAX compatible with Pro Tools 11 and later only.