Elevate Mastering Bundle

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Type: PAID

Added over 1 year ago

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2BC multiCORR

<h4 class="ql-align-center">Stay on top of Correlation</h4> A multiband correlation meter with essential metering and monitoring functions. Can You Relate?Why the heck do you need a multiband correlation meter? It’s simply that a regular stereo correlation meter doesn´t always show you trouble spots. If your fat kick and bass is mono, it’s mostly correlated so a stereo correlation meter would show that everything is O.K. while your strings, hi-hat, or vocals are cancelling out! 2BC multiCORR combines the useful and beloved functions of our free 2BusControl monitor controller plugin with a carefully designed, third octave multiband correlation meter. Our multiband approach warns you not to overdo stereo spread with your fancy spreading tool, or when your stereo mics are delivering a signal with too much out–of–phase content. Either way, you’d get cancellation when your mix is summed to mono.Correlation measures the degree of relatedness between left and right channel. If they’re alike, that’s mono, and they will have perfect correlation. Stereo noise is decorrelated, with no similarity between channels. Stereo music should be more like the former, with a bit of “stereoness” to create a soundstage, whereas convincing, diffuse reverb should have lower inter-channel correlation. When content is present in one channel, and an inverted phase version is in the other channel, that sums to zero in mono and the audio disappears. Unobtrusive Power2BC multiCORR’s powerful features hide behind its clean and simple UI. We’ve brought essential functionality and innovative user interface design to what used to be an unremarkable product category. With five monitoring modes, an ergonomic and deceptively simple interface, highly tuned correlation metering over 31 bands plus stereo balance and correlation, you’ve got to try 2BC multiCORR for yourself. Better By DesignMost correlation meters use a cosine scale, derived from old analog meters, while 2BC multiCORR employs a trueLinear™ scale. This linear scale better matches your perception. As with all of MAAT’s products, 2BCmC follows our guidelines for creating meaningful tools for modern engineers.<img src="https://www.pluginboutique.com/ckeditor_assets/pictures/14883/content_2bc-balance-pluginboutique.jpg">2BC multiCORR combines essential metering and monitor controls with a 31 band correlation meter group. Details<ul><li>31 bands of correlation with carefully chosen centre frequencies</li><li>Exclusive trueLinear™ scale for higher precision with visuals that match your perception</li><li>Stereo Balance and Correlation</li><li>Five essential monitor controls: Left–Only, Right–Only, Mono (L+R), Diff (L-R) and Flip</li><li>Collapsable UI lets you see only what you need</li></ul>Extras<ul><li>Includes a native version that runs in standalone mode, great for dedicated metering</li><li>Plug–in runs on all major DAWs: AAX, AU, VST 2 & VST 3</li></ul>Applications2BC multiCORR is a general purpose tool for both production and post. Use its powerful metering and monitor controls for:<ul><li>Tracking and Mixing</li><li>Mastering and Remastering</li><li>Sound & EFX Libraries</li><li>Radio & Television Production & Broadcast</li><li>Identifying Problem Elements; EFX, panning, widening or frequency ranges that may compromise playback or downstream processes</li><li>Verifying: balance, panning, super stereo processing and other creative decisions</li></ul>Essentials2BC multiCORR slots into all modern workflows:<ul><li>Supports LPCM sample rates up to 384k for DSD and high–end postproduction</li><li>All standard formats: AU, VST 2 and 3, AAX</li><li>Compatible with macOS and Windows</li><li>Low fatigue visual design</li><li>Resizable user interface for every screen resolution</li></ul> The Low DownIf your material is destined for LP distribution, keep in mind that lacquer cutting has difficulty with large amplitude, out–of–phase information at very low frequencies. 2BC multiCORR provides four bands of analysis for the critical bottom octave, six additional bands of metering covering frequencies up to 200 Hz, plus three additional bands for the 200 to 400 Hz range.Other than vinyl, why should you care about mono? Monaural playback is more prevalent than ever, with the rise of battery–powered, hand-held party speakers and the seemingly ubiquitous “smart speaker.” Don’t forget that Center Channel speaker in a surround setup…Though a product may advertise stereo playback, the simple fact is that size matters. At low frequencies, playback from any single point, diminutive device is essentially monaural. Also, small sources usually cannot reproduce the bottom octave at all and many begin to roll off below 100 Hz. So make sure to maximize the appropriate amount of LF energy for the material you’re working on. Not Just Correlation2BC multiCORR isn’t just multiband correlation. It also includes a left/right balance meter, a broadband left/right correlation meter, plus five monitor controls allowing you to focus on any issues you may come across.With a single button, you can switch to Left–Only or Right–Only, Mono (L+R) or Difference (L-R). The fifth monitor control, FLIP, swaps the left and right channels. Sometimes you may come across a subtle issue that you think may be in one channel or the other. The Flip control, along with the Left–Only/Right–Only buttons, quickly helps to confirm or identify any problems. Also, you may occasionally be presented with a mix that’s not laid out from the audience perspective, and Flip is a quick way to rotate the soundstage around to where you’re comfortable. Don’t Hit The Chair Without It!2BC multiCORR packs the advanced features you need into one resizable window that’s easy on the eyes. Not only does the UI “get out of the way” so you can be more productive, but we’ve also incorporated user-centric features that speed your workflow. Easy and intuitive to use, be sure to hang it off the last slot in your Master Bus so you always know exactly what’s going on with your mix! <h4>Key Features</h4><ul><li>31 bands of correlation with carefully chosen center frequencies</li><li>Exclusive trueLinear™ scale for higher precision with visuals that match your perception</li><li>Stereo Balance and Correlation</li><li>Five essential monitor controls: Left–Only, Right–Only, Mono (L+R), Diff (L-R) and Flip</li><li>Collapsable UI lets you see only what you need</li></ul><h4>System Requirements</h4><ul><li>macOS 10.9 and newer, Universal Binary 2, 64-bit only</li><li>Windows 7 and newer, 32 & 64 bit</li></ul>Supporting:<ul><li>AAX (Pro Tools 10.3.10 and newer), AU, VST 2, VST 3</li><li>Sample rates from 44.1 to 384 kHz</li></ul>

MasterMagic

<img src="https://www.pluginboutique.com/system/vip_testimonials/pictures/000/002/773/original/Dave_Carbone.jpg?1539877470"><blockquote>"A great little plug to add clarity and brilliance to your mix and control your bass frequencies. Being able to select an air band and split frequency bands to mono a certain range with such ease makes this a unique and versatile plug for mastering and individual track processing."</blockquote>Davide Carbone. Music producer, composer, sound designer and software developer. <img src="https://www.pluginboutique.com/system/vip_testimonials/pictures/000/002/772/original/JonnyB.jpg?1539877365"><blockquote>“I will definitely be using MasterMagic - it adds a nice little silky sparkle at the end of the mix and widens the tops out a bit. Even when you’ve already got a mix sounding good, I think you can still improve it by adding MasterMagic at the end of the plugin chain”</blockquote>John B. Beta Recordings, Metalheadz. <img src="https://www.pluginboutique.com/system/vip_testimonials/pictures/000/002/771/original/Steve_Mac.jpg?1539877205"><blockquote>“I really like this. Instantly tightens up the bottom end and the air is lovely, just adding around 2db does the trick. Personally I can see myself using this a lot.”</blockquote>Steve Mac. Musician, songwriter, and record producer. <img src="https://www.pluginboutique.com/ckeditor_assets/pictures/13352/content_mastermagic-titel-pluginboutique.jpg">Welcome to ‘MasterMagic’ the plug-in that you will not want to miss anymore as part of your virtual mixer master section! Just place ‘MasterMagic’ at the very end of the master FX chain and be surprised how much it can do for your track! The ‘Mono/Stereo’ section, will make your low end much tighter and the ‘AIR’ function is sheer magic… even if you only use it only a tiny amount.Enjoy the magic of MasterMagic! <h4>Features</h4> Edit / Origin Feature<ul><li>As soon as you start editing a Preset (i.e. change a MasterMagic control), the Edit button will light up. If you the click on the Origin button it will return the Preset to its original settings. </li></ul>Help<ul><li>Clicking on the ? HELP ICON opens PDF manual.</li></ul>ECS<ul><li>Click here to open the ECS menu. You can Load/Save your MIDI latched settings (External Control Settings) here.</li><li>This is handy if you want to use your own controller settings in other songs, music programs or systems.</li></ul>Presets and Generic Controls<ul><li>The Presets bar sits at the top of the MasterMagic window.</li></ul>Preset Variations<ul><li>A Preset in MasterMagic has two slots, A and B, in which to store two variations of the Preset. </li><li>This bypasses the MasterMagic FX. If ‘Air’ and ‘Mono/Stereo’ are active, both are bypassed.</li></ul>AirAir works as a booster of very high frequencies with a wide bandwidth using a top-notch algorithm. Its effect is perceived as giving the audio a more breathing space or ‘Air’.<ul><li>On / Off: By clicking on the AIR icon, the Air function will become active. This is a handy feature if you also have the ‘Mono/Stereo’ function active. This way you can bypass only the ‘Air’ FX.</li><li>Amount: Amount sets the gain or amount of Air added to your channel.</li><li>Frequency: The frequency control sets the center frequency of the Air band. Its range runs from 30kHz to 40 kHz.</li></ul>Mono / StereoThe Mono / Stereo Split Filter is able to divide the audio signal into a mono and stereo partbased on a frequency. <ul><li>On / Off: By clicking on the MONO/STEREO Icon this function will become active.</li><li>Frequency and Range: The Frequency control (FREQ) sets the frequency of the mono filter: below this frequency the sound is transformed into a mono signal. </li><li>Solo: The Solo switch, when engaged, only lets the transformed mono signal pass.This feature is handy to seek out the correct range.</li><li>Mode: The Mode setting determines how the stereo audio signal is turned into a mono signal. The options here are: Left Channel, Right Channel, the sum of the Left and Right Channels averaged (L+R), and the signal difference between the two channels (L-R).</li></ul>Back Panel  A click on the MasterMagic logo switches the plug-in to its back panel. The back panel containsprogram information and a number of global settings. Controls are:<ul><li>Computer Keyboard On / Off: The Keyboard On/Off switch activates the computer keyboard to cycle through the Presets and Banks.</li><li>MIDI Program Change: The Program Change switch enables MasterMagic to respond to MIDI Program Change commands to select Presets.</li><li>External MIDI Control Capture Mode: The Capture Mode switch, when enabled will ignore incoming MIDI controller messages that are latched to a MasterMagic control, until the value of the MIDI controller matches that of the value of the MasterMagic control. It prevents sudden jumps in parameter values that otherwise may occur as soon as you touch a latched external MIDI controller.</li><li>MIDI Channel: The MIDI Channel setting limits any MIDI control of MasterMagic to a specific MIDI Channel (1 – 16 / Omni)</li></ul> <h4>System Requirements</h4>PC<ul><li>Windows 7/ Windows 8/ Windows 10 (32 & 64 bits)</li></ul>Formats:<ul><li>VST</li><li>AAX (Note: PC AAX for PT 12 or higher)</li></ul>Mac<ul><li>OS-X 10.9 - 10.15 (64 bits only)</li></ul>Formats:<ul><li>AU</li><li>VST</li><li>AAX</li></ul>Notes:<ul><li>Serial/licence system with activation whilst registering the product</li><li>2nd serial for a secondary computer/laptop is available after you have registered the product’s original serial/license.</li></ul>

BASSROOM

<img src="https://www.pluginboutique.com/system/vip_testimonials/pictures/000/003/270/original/OSCARFLORES_PluginBoutique.jpg?1559650983"><blockquote>"BASSROOM is really, really brilliant!! Bass is key in trailer music and getting it dialled in perfectly is crucial."</blockquote>Oscar Flores. Trailer music composer for Avengers: Infinity War, Godzilla, Mary Poppins Returns, Blade Runner 2049, Dunkirk & more. <img src="https://www.pluginboutique.com/system/vip_testimonials/pictures/000/003/271/original/Driftmoon_PluginBoutique.jpeg?1559651051"><blockquote>"An absolute must for every producer in any genre and a true game-changer for bass-loving enthusiasts."</blockquote>Driftmoon. Superstar DJ. <img src="https://www.pluginboutique.com/system/vip_testimonials/pictures/000/003/267/original/DirtySouth_PluginBoutique.jpg?1559650546"><blockquote>"This is the plugin that I’ve been missing on my master bus! It really helps me nail the bass in my mix and have it sounding big and tight. A MUST HAVE!!!"</blockquote>Dirty South . Superstar DJ. Balancing the low-end is one of the hardest challenges in any mix or master. BASSROOM is a final mix and mastering EQ that helps beginners and pros nail their low-end in seconds. The Struggle Is OverBalancing the low-end is one of the hardest challenges in any mix or master. This is where so many potentially awesome tracks fail. Too much bass and your track will sound bloated and lack clarity. Not enough bass and your track will sound weak.BASSROOM is a final mix and mastering EQ that helps beginners and pros nail their low-end in seconds. It does this by delivering exceptional sound quality and suggesting genre-specific EQ adjustments a great audio engineer in a world-class studio would make.We analyzed the best mixes in various genres to give you EQ target presets you can trust. You can also create your own targets with BASSROOM's inbuilt analysis tools. From this starting point, you can tweak your low-end to perfection using the immersive 3D room interface. <h4>How To Use BASSROOM</h4>Master ChannelBASSROOM uses complex algorithms that accurately identifies how the human ear perceives low-frequencies relative to the balance of the whole mix. For that reason it should be loaded on your master channel so it can analyse and be applied to your whole mix.<img src="https://www.pluginboutique.com/ckeditor_assets/pictures/15196/content_bassroom_masterchannel_pluginboutique.png">Choose A PresetTo get the most value from BASSROOM, start by selecting a preset that best suits the material you’re working on.<img src="https://www.pluginboutique.com/ckeditor_assets/pictures/15197/content_bassroom_presets_pluginboutique.png">Create A TargetAlternatively, you can create your own target values by clicking the target icon in the bottom left corner and importing reference tracks. If you’re creating targets, we recommend clicking and dragging on the waveform to select the drop or chorus for the analysis, as this is usually the material with the best representation of the bass in the track. BASSROOM will create targets based on all the tracks loaded into the analysis window.<img src="https://www.pluginboutique.com/ckeditor_assets/pictures/15198/content_bassroom_targets_pluginboutique.png">Shape your low-endNow monitor a bass heavy section of your production (i.e. the drop or chorus), and you’ll see the targets move to the suggested EQ positions based on the tonal balance of your mix compared to the tonal balance of your preset. Use the targets to get a great starting point, then adjust by ear to tweak your low-end to perfection. The algorithm accounts for differences in loudness, so the targets will be accurate and relevant whether you’re mixing or mastering.<img src="https://www.pluginboutique.com/ckeditor_assets/pictures/15199/content_bassroom_lowend_pluginboutique.png">Level MatchThe EQ adjustments may have changed the overall gain of your audio. If the gain has changed by more than 2dB the speaker icon will turn orange. Hover your mouse over the bypass icon to open the output gain and level match pointer. Match the gain slider to the level match pointer to match the perceived loudness of your audio before it passed through BASSROOM.<img src="https://www.pluginboutique.com/ckeditor_assets/pictures/15200/content_bassroom_levelmatch_pluginboutique.png">Hear The DifferenceNot only will your low-end fall into place, but the level matching will give you a well balanced sound across the whole frequency spectrum. Toggle bypass on and off to hear the difference.<img src="https://www.pluginboutique.com/ckeditor_assets/pictures/15201/content_bassroom_hear_pluginboutique.png"><h4>Unique Features</h4>Unparalleled EQ QualityBASSROOM gives you unparalleled EQ quality when working with low-frequencies on your master channel. Other EQs can introduce transient ringing and smearing or phase distortion that reduces the quality and clarity of your audio.BASSROOM has specifically designed filters that have minimal phase distortion AND minimal transient distortion providing greater transparency than standard linear-phase filters at low-frequencies. This means that the low-end is not affected by unwanted phase changes that can alter the timbre of your audio or by transient distortion that means you lose the bite from kicks or bass-lines.For example, the plots show the transient effects on a step function when applying a 6dB gain at 240Hz. Think of this as a simplified waveform of a kick drum. It's clear that the output of the filter in Plot 2 has an oscillation before and after the "hit". This is a "ringing" of the transient and can sound like a sucking effect. In Plot 3 BASSROOM’s EQ produces virtually no oscillation and so the transient is preserved.With BASSROOM, you can transparently shape your low-end without compromising the clarity of your mix or master. This translates into retaining punch in the low-mids, and definition in the low-end compared to other EQs.<img src="https://www.pluginboutique.com/ckeditor_assets/pictures/15202/content_steps_transparent_1024x1024.png">Immersive 3D Room DisplayOrdinary EQs use a horizontal representation of frequencies and vertical representation of gain. BASSROOM takes a unique approach and focuses more on how we experience audio in the real world. Louder sounds feel closer while quieter sounds feel further away and lower frequencies are associated with a ‘foundation’ whilst higher frequencies are perceived as ‘air.To reflect this, in BASSROOM frequencies are displayed vertically, and gain is represented by depth in the room.When a band is on the central 0dB line in the middle of the room, there is no gain adjustment. Push frequency bands back in the room to decrease gain, and bring them forward to increase gain.The unique and intuitive UI helps you visualise how you’re adjusting the low-end of your song. This gives you a more immersive mixing experience, helping you connect more with your music.<img src="https://www.pluginboutique.com/ckeditor_assets/pictures/15204/content_3d_space_explained_b25aefd9-1c35-48e2-8cb7-f7ac9cb950ba_1024x1024.png">EQ Targets You Can TrustThe targets on the walls of BASSROOM suggest the genre-specific EQ adjustments a great audio engineer in a world-class studio would make.We analysed the best mixes in various genres to give you EQ target presets you can trust.This isn’t simple ‘slowed-down’ frequency matching. The targets are a result of a complex algorithm that accurately identifies how the human ear perceives low-frequencies relative to the balance of the whole mix. BASSROOM analyses your mix and displays a target in each frequency band to help you make informed mixing decisions sonically relevant to your audio.Matching the bands to target suggestions results in a clear and defined low-end that’s well balanced in the context of the whole mix. Use the targets to get a great starting point, then adjust by ear to tweak your low-end to perfection.<img src="https://www.pluginboutique.com/ckeditor_assets/pictures/15203/content_unique_features_targets_1024x1024.png"><h4>System Requirements</h4>Mac:<ul><li>macOS 10.10 or higher (Apple M1 Silicon supported).</li><li>AU, VST 2/3 or AAX host (64-bit only)</li></ul>Windows:<ul><li>Windows 7, 8, 10, or 11</li><li>VST 2/3 or AAX host (64-bit only)</li></ul>Available in VST, VST3, Audio Units and AAX formats (64-bit only).Please note: AAX compatible with Pro Tools 11 and later only.